MONTAGE

Montage is several photographs combined to form a composite illustration are an approach to understanding and creating cinema that relies heavily on editing. Although Soviet filmmakers in the 1920s did not agree about how exactly to view several photographs combined to form a composite illustration, Sergei Eisenstein marked a note of agreement in "A The art or practice of arriving at the truth by the exchange of logical argument Approach to movie Form" when he took note of that several photographs combined to form a composite illustration is "the nerve of cinema", and that "to determine the nature of several photographs combined to form a composite illustration is to solve the specific problem of cinema"

Eisenstein's view that "montage is an idea that emerges from the a crash of independent thoughts" in regard to which "each done in sequence element is understood to be not next to the other, but on top of the other" has become most widely agreed to. This style of editing offers discontinuity in graphic qualities, violations of the 180 degree rule, and the creation of not possible relation in spaces matches. It is not concerned with the representation of a able to be understood relation in spaces or only around for a short while continuity as is found in the classical Tinsel town continuity system. It draws attention to only around for a short while ellipses because alterations between shots are obviously ... sorry we have a 160 character a restriction for translations

He argued that "Montage is conflict" where new ideas, come out of from the crash of the several photographs combined to form a composite illustration progression and where the new emerging ideas are not inborn in any of the pictures of the edited connected line of. A new perception explodes into individual. His understanding of several photographs combined to form a composite illustration, therefore, illustrates Marxist The art or practice of arriving at the truth by the exchange of logical argument

Eisenstein describes five methods of montage namely

Metric

Editing follows a specific number of frames, cutting to the next shot no matter what is happening within the image.

Rhythmic

Includes cutting based on continuity, creating visual continuity from edit to edit.

Tonal

A tonal montage uses the emotional meaning of the shots e.g. a sleeping baby would emote calmness and relaxation.

Overtonal

A combination of all three above to synthesize its effect on audience

Intellectual

Is an alternative system to continuity editing.